‘Bandit’ Trailer Shows Josh Duhamel as an Unstoppable Canadian Bank Robber

Collider can exclusively unveil the trailer for Bandit, a new film from Allan Ungar based on the true story of Canada’s infamous Flying Bandit with inspiration from Robert Knuckle and Ed Arnold‘s novel The Flying BanditJosh Duhamel leads the film as the titular bank robber, who after escaping from prison and crossing the border from the U.S. to Canada, goes on to become one of the most infamous criminals in Canadian history. When the charming outlaw falls in love with a caring social worker named Andrea (Elisha Cuthbert), he decides to start robbing banks in order to give her the lifestyle he dreams of — it doesn’t hurt that he happens to be incredibly good at it.

The real Flying Bandit, aka Gilbert Galvan Jr. or Robert Whiteman to those who knew him, was notorious for escaping prison in Michigan, starting a new life in Canada, and proceeding to successfully rob 59 consecutive banks, setting the record for most robberies committed in a row in Canada. The trailer immediately makes it clear how skilled he is at robberies, getting in and out of a bank within three minutes with stolen cash in hand. Duhamel effortlessly switches through disguises and slips in and out of banks like it’s nothing, an impressive feat to Tommy K. (Mel Gibson), a man with “a doctor’s thesis in street” who Duhamel’s Galvan goes to for an investment.

Everything gets harder when he meets the woman of his dreams. They hit it off, and he showers her with gifts through his ill-gotten gains as they look to spend the rest of their lives together. He continues his string of heists in the background, but each job draws more attention from the cops. A search for the mysterious criminal is underway led by detective John Snydes (Nestor Carbonell), but Galvan Jr’s myriad disguises and meticulous planning keep everyone duped. His relationship means avoiding arrest is all the more important, but when an unprecedented job comes in, he has to do “just one more,” a notion that almost never leads to anything good.

Bandit is Ungar’s third feature film, though he’s especially notable for a short Uncharted fan film that starred Nathan Fillion as the globe-trotting adventurer Nathan Drake and Stephen Lang as his veteran explorer pal Sully. He described resonating with Bandit immediately, saying in a statement:

“Having grown up as a filmmaker in Toronto, I always wanted to find bold and audacious stories to tell that also incorporated some sense of “home.” As I set out on my first directorial efforts, I chose projects that would allow me to improve on skills I already began developing, but that would ultimately shape me into a credible director. However, in the back of my mind I still wanted the identity of my films to have some connection to that “home.” With a country so rich in its history, I felt that it was only a matter of time before I would come across a story that had all the right elements to make a powerful and convincing film that people not only could relate to, but that they would go out and actually want to see. That’s how I felt about Bandit.”

– Allan Ungar

He also praised Kraig Wenman‘s screenplay for capturing the mix of humor, romance, action, and true crime involved in Galvan Jr’s story. The process of making Bandit was apparently difficult with the pandemic forcing a relocation to Georgia. Ungar detailed what went into recreating 1980s Vancouver for the film, adding:

“Now, with all this talk about country and home, here’s the best plot twist: due to the Covid-19 pandemic we were forced to relocate to Georgia. That’s right. Recreate 1980s Ottawa, Vancouver, Toronto, Winnipeg and Edmonton all in modern day Georgia. And so began one of the most difficult, but rewarding experiences of my career. The film challenged me in ways that I never thought were imaginable, but through trial by fire an immensely talented group of performers, crew, and craftspeople came together to make this special film. Blessed with an incredible cast, we worked tirelessly to bring Gilbert Galvan’s story to life with conviction and passion, and I truly believe it shows.”

– Allan Ungar

Bandit is set to arrive via Redbox Entertainment and Quiver Distribution in theaters and On Demand on September 23.

Toronto: First Look at Avan Jogia’s Directorial Debut ‘Door Mouse’

Hayley Law (RiverdaleAltered Carbon) is showing off her artistic skills in the first look photo of actor-turned-filmmaker Avan Jogia’s neo-noir thriller.

Law leads the cast as Mouse, a woman stuck in a dead-end job at Mama’s Burlesque Club all night, where her boss Mama (Famke Janssen) encourages her to pursue her real passion of making comics. When a friend from work named Doe-Eyes goes missing and the cops do nothing about it, Mouse and her sidekick Ugly (Keith Powers) take it upon themselves to find out what happened to her. Donal Logue (The Cloverfield Paradox) also stars.

Jogia made both his feature film writing and directing debut on the production, which recently wrapped shooting in Canada.

Kyle Mann produced the film via Independent Edge with Jason Ross Jallet for Cause and Effect Entertainment. JoBro Productions’ Jonathan Bronfman, Drive Films’ Michael Risley, Goldush Entertainment’s Eric Gozlan and Nathan Klingher executive produced.

Highland Film Group is handling worldwide rights out of the Toronto International Film Festival.

Read the full article on The Hollywood Reporter.

Redbox and Quiver Acquire True-Crime Thriller ‘Bandit’ Based on the Best-Selling Novel

LOS ANGELES–(BUSINESS WIRE)–Redbox Entertainment, America’s destination for affordable new-release movies and Quiver Distribution, have acquired the North American distribution rights to BANDIT, starring Josh Duhamel, Elisha Cuthbert, Nestor Carbonell, and Mel Gibson. The film will be available in theaters and On Demand in 2022.

Directed by Allan Ungar and written by Kraig Wenman, the crime drama is based on Robert Knuckle’s best-selling novel, The Flying Bandit, the real-life story of Gilbert Galvan Jr., who lived under the name Robert Whiteman when he was dubbed the Flying Bandit in 1987. Itwas produced by Jordan Yale Levine and Jordan Beckerman of Yale Productions, Eric Gozlan of Goldrush Entertainment, and Ryan Donnell Smith of Thomasville Pictures.

BANDIT is a thrilling true-life story of Gilbert Galvan Jr., who successfully got away with 63 bank and jewelry heists during his crime spree. It tells the tale of the career criminal (Josh Duhamel), who escapes from a U.S. prison and crosses the border into Canada, assuming a new identity. After falling in love and getting married, he claims to take a job as a traveling security consultant, and his crimes continue. Only when he turns to lifetime gangster Tommy (Mel Gibson) for an investment does his simple career become complicated, and he finds himself at the center of a special forces cross-country manhunt.

”We are incredibly excited to be working with the teams at Redbox and Quiver on the release of BANDIT,” said Jordan Yale Levine and Jordan Beckerman of Yale Productions. “We know this film will appeal to audiences around the country, and Redbox is the perfect partner to give everyone a chance to see it.”

“The outstanding ensemble cast along with Kraig’s skillful adaptation and Allan’s remarkable directing brings this riveting story to life,” said Galen Smith, CEO of Redbox Entertainment. “We’re delighted to bring this edge-of-your-seat thriller to audiences next year.”

“We’re thrilled to again be partnering with Redbox Entertainment and Yale Productions after the successful collaborations with Becky and Chick Fight,” said Quiver Distribution Co-Presidents Berry Meyerowitz and Jeff Sackman. “Josh Duhamel shines as the anti-hero bandit that you will root for against Mel Gibson in this true action thriller that we know audiences will love.”

The deal was negotiated by Marc Danon, Head of Original Content for Redbox Entertainment.

BANDIT is the latest in a string of acquisitions from Redbox that includes SHE BALL (Nick Cannon), THE LAST SON (Sam Worthington), CAPONE (Tom Hardy), SHADOW IN THE CLOUD (Chloë Grace Moretz and Nick Robinson), SAS: RED NOTICE (Sam Heughan and Ruby Rose), and AMERICAN TRAITOR: THE TRUE STORY OF AXIS SALLY (Al Pacino and Meadow Williams). It also comes on the heels of Redbox’s venture with John Wick producer Basil Iwanyk to form Asbury Park Pictures, which is programming a slate of high-concept action and thriller films over the next few years.

Read the full story on Business Wire.


Redbox is America’s leading destination for affordable new-release movies and entertainment with more ways to watch than any other home entertainment provider. Redbox delivers value and convenience through unparalleled choice across content, platforms, rental and purchase options, and price points. The company recently announced a definitive agreement to combine with Seaport Global Acquisition Corp. (Nasdaq: “SGAM,” “SGAMU,” and “SGAMW”), a publicly-traded special purpose acquisition company. The transaction, which will result in Redbox becoming a publicly-traded company, is expected to accelerate Redbox’s ongoing transformation to offer customers and partners a multi-product experience across physical and digital channels. The company’s expanding streaming offering includes digital rental and purchase as well as free live TV and free On Demand content and complements Redbox’s nationwide footprint of more than 40,000 entertainment kiosks, conveniently located where consumers already shop. Redbox Entertainment, a new content acquisition and production division has further transformed Redbox into a multi-channel content provider. For more information, visit


Quiver Distribution is a film distribution company operating in the U.S., Canada and international markets which develops and distributes high-quality, talent-driven films. Founded by entertainment industry veterans Berry Meyerowitz and Jeff Sackman, Quiver Distribution focuses on curating a highly selective film slate from both established and emerging talent, allowing for distinctly tailored campaigns and a filmmaker first approach.


Yale Productions is a New York based production company formed in 2010 by Jordan Yale Levine. Their recently released films include STOWAWAY from Joe Penna, currently on Netflix starring Anna Kendrick and Toni Collette, SEPARATION with Rupert Friend, Brian Cox and Madeline Brewer, in theaters, CHICK FIGHT with Malin Ackerman, Bella Thorne, and Alec Baldwin available on VOD and the thriller BECKY with Lulu Wilson and Kevin James. Past films include the SXSW comedy, I USED TO GO HERE, the Christian Slater film, KING COBRA, and Ash Christian’s PETUNIA.


Goldrush Entertainment Inc. is an award-winning production company dedicated to developing, financing, and producing high-quality commercial film and television for international audiences. Their recently released films include A SCORE TO SETTLE, starring Academy Award winner Nicolas Cage (LEAVING LAS VEGAS) and Benjamin Bratt (MISS CONGENIALITY) and MOST WANTED, starring Josh Hartnett (“Penny Dreadful”), Antoine Olivier Pilon (MOMMY) and Jim Gaffigan (“Portlandia”).

Cannes: Josh Duhamel on Playing a Career Criminal in ‘Bandit,’ ‘Jupiter’s Legacy’ Cancellation

Josh Duhamel has had a whirlwind first half of 2021.

At the top of the year, he flew to the Dominican Republic to star opposite Jennifer Lopez in Lionsgate’s Shotgun Wedding, replacing Armie Hammer in the 11th hour after Hammer left to project following allegations of sexual misconduct. He then released Netflix’s splashy Mark Millar adaptation Jupiter’s Legacy, which was not renewed for a second season despite being atop Nielsen’s streaming chart and in Netflix’s own Top 10 chart.

Now, after barreling through a high-concept studio action rom-com and the debut of a superhero series, he is currently in Georgia shooting a project with an independent spirit: Bandit.

Bandit, which is being sold internationally by Highland Film Group at the virtual Cannes market, tells the true story of Gilbert Galvin (aka The Flying Bandit) who in the late 1980s planned more than 63 bank and jewelry heists in Canada, all while leading a double life with a wife and a fake job as a traveling security consultant. Mel Gibson, Elisha Cuthbert and Nestor Carbonell also star.

Speaking on his day off from Bandit‘s tight shooting schedule, Duhamel talks about what attracted him to Galvin, ’80s sweaters and the Jupiter’s Legacy cancellation: “It’s pretty disappointing, I’m not going to lie.”

What made you sign on to Bandit?
I read this script and love this story. I got to talk a little bit with Gilbert Galvin, the man himself. The balls that this guy had to do what he did back in the late 80s. Obviously, security back then was much less rigid than it is now, but I loved the bravado of this dude. He figured out how to disguise himself, figured out which place was vulnerable, how he could get in and out quickly and how he could quick-change out of these crazy disguises in such a short amount of time. He would have a turtleneck and a jacket on and he’d cut the turtleneck down the side so he could tear off the jacket, tear off the turtleneck and the pants were tear-aways and he was wearing a three-piece suit underneath it all. And then sometimes he would go back to [the crime scene] to ask the cops, “Hey, what’s going on here?”

Given that you are playing a real person, how was preparing for this project different from others?
Prep on everything is a little bit different. On this one, because I was playing a real guy, I had the opportunity to pick his brain. What was he feeling the first time he did it? What was your heart rate? Was it a thrill or was it pure terror? He’s not a well-known guy so I am trying to make him as accurate as I can, but I’m also trying to fictionalize him in a way that embodies the spirit of what he did and why he did it rather than trying to emulate him perfectly.

In the beginning, [the robberies] were purely out of desperation because he was broke. And then it became like this thrill that he became addicted to. And the problem is he went through the money almost as fast as he got it. So, even though he stole $2.4 million, he still ended up broke in the end. The one thing that so many of these stories really boil down to is wanting to be loved and wanting that family. That’s really what drove him.

The movie is set in the late 1980s. How has it been inhabiting that time period?
You should have seen the sweater I had on yesterday, oh my god. I walked into the trailer and my girlfriend was there and she just started laughing because I looked like something out of Fresh Prince of Bel Air. It was this lavender-looking thing. The clothing was wonderfully awful.

Hollywood has a long history of heist movies. Did you watch any before heading to set?
I am a huge fan of Catch Me If You Can and Heist — the one with Robert De Niro. There is such a long history. But the thing I’ve been doing as an actor over the last several projects is I don’t go out there with anything sort of pre-planned. Because you never really know what’s going to happen and every time you try to plan something, it doesn’t go that way. The set is different. The actor you are playing opposite of isn’t doing what you expect them to do. So it’s so much more fun to just sort of go in there with a bag of tools or a bag of ideas and pull from that as you go.

How was it to join Shotgun Wedding so close to production beginning? Are there advantages to that?
Of course, I always do the work and I know where I am in each scene. But within any scene, so many things can happen that you don’t even see coming. If you just embrace the unexpected, it keeps you wide open to anything. What has really helped me as an actor is not being so afraid anymore. I used to be so afraid that I would fuck it up. If I mess up a line, I’m going to screw up the whole thing. Now, I don’t care if I screw a line up. I’ll come back and I’ll do it better the next time. I’ve found that it really helps make the scene come alive. And J-Lo was awesome and fully embraced it. We obviously rehearsed but then I just liked to try stuff in the moment and see what happens. If I’m having fun, the audience is having fun. For me, when I’m watching something, I can tell when it was pre-rehearsed. I love Jack Nicholson, especially in the 70s, because you can just tell that dude went in and just let it rip. You didn’t know what he was going to do. And that’s really what I’m trying to do in my work now.

Your most recent project Jupiter’s Legacy isn’t getting a second season but has become one of the most-watched streaming shows of the year. How has it been watching it be embraced by audiences but know that there won’t be more of it?
Well, it’s pretty disappointing, I’m not going to lie. We all worked really hard on it, we’re proud of it and we loved it. Then the audiences have really, really loved it. It’s been a success by every metric I thought it would be, but apparently it’s not enough. It’s a weird thing, it really is, because we all thought that the second season was going to be so much fun. And you could see it start to happen at the end of the first season and the stuff that happens, especially to my character in that second season, would have been awesome. But it was an expensive show and the new leadership at Netflix, I’m not sure they ever really embraced it.

I want to pitch an idea to them to just do a feature, telling the story of that second season. We can just do a movie and then I think that would satisfy what the audience really wanted to see in that second season. So, we’ll see. I’m grateful for the opportunity. I’m grateful to Netflix for giving me a chance to play it up because I got to do a lot of fun stuff in that show and do a lot of things I hadn’t done. For that, I’m grateful. I don’t have any hard feelings. It sucks and it hurts and it’s disappointing; but at the same time, that’s what this business is. It’s ups and downs.

Is there any type of project that you haven’t gotten to do yet that you are hoping to try?
I really want to do more directing and just keep finding projects as an actor that let me do things that I never thought I could do. Jupiter’s Legacy was one of those. I got to do some stuff in that which was beyond anything that anybody had given me a chance to do before. It was a long journey, but it was all about the final product. None of these things are easy to make. Every single project — even the one I’m on now — is a challenge every single day. But when you’re done with it, it’s such a feeling of accomplishment because so many people have to come together in every single department to work towards one thing. The hope is that you’re making something great. Nobody sets out to do anything other than that.

Read the full story on The Hollywood Reporter.